Stamp + card |
Close-up of stamp and mark |
The Dalek Stamp was one of three Millennium
Stamps issued by the Royal Mail in 1999—the other two depicted Freddie Mercury,
the lead singer of Queen, and football (soccer) star Bobby Moore. Photographer
Lord Snowdon (aka Antony Armstrong-Jones, 1st Earl of Snowdon)
photographed the vile pepperpot for the stamp. Mine was a Royal Mail-issued
collectible, which also features an image of the TARDIS in flight and the
facsimile signature of Tom Baker, who played the Fourth Doctor on TV from
1974-1981.
A BRIEF HISTORY OF THE DALEKS:
The oldest and vilest of the Doctor’s enemies
on “Doctor Who,” the Daleks are the birthchild of writer Terry Nation and
designer Raymond Cusick.
“They are legless,” Nation wrote, “moving on a
round base. A lens on a flexible shaft acts as an eye. Arms with mechanical
grips for hands.” With that description, Mr. Cusick went to work. His designs
originally looked taller and more upright until he realized that the performers
inside the costumes would have to work for many hours in a stiflingly hot prop.
Cusick changed his design to reflect a man sitting inside the machine,
not standing upright inside it.
With that final major revision, the Dalek went
from “generic sci-fi monster” to “triumph of design.” It’s successful because
there’s no indication of the performer inside. Around its neck, there’s a
section where you might normally see a person’s eyes, but it’s completely
obscured by black gauze. Other sci-fi robots walk around on two legs, such as
Robby from “Forbidden Planet,” but the Dalek casings were flat to the ground,
making the operator’s feet totally invisible.
Ever since they appeared on “Doctor Who” fifty
years ago, the overall “look” of these metal marauders has remained mostly
consistent, give or take subtle embellishments and modifications here and
there. That the Royal Mail chose them to help usher in a new century is a
testament to their uniqueness.
(Now recently seen at the United Center, if I'm not sorely mistaken)
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